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By Princeton University Press
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List Price: $30.95
Our Price: $24.28
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Binding: Paperback Dewey Decimal Number: 895.1346 EAN: 9780691126197 ISBN: 0691126194 Label: Princeton University Press Manufacturer: Princeton University Press Number Of Items: 1 Number Of Pages: 720 Publication Date: 2006-05-08 Publisher: Princeton University Press Studio: Princeton University Press |
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Product Description
In this second of a planned five-volume series, David Roy provides a complete and annotated translation of the famous Chin P'ing Mei, an anonymous sixteenth-century Chinese novel that focuses on the domestic life of His-men Ch'ing, a corrupt, upwardly mobile merchant in a provincial town, who maintains a harem of six wives and concubines. This work, known primarily for its erotic realism, is also a landmark in the development of narrative art--not only from a specifically Chinese perspective but in a world-historical context. With the possible exception of The Tale of Genji (1010) and Don Quixote (1615), there is no earlier work of prose fiction of equal sophistication in world literature. Although its importance in the history of Chinese narrative has long been recognized, the technical virtuosity of the author, which is more reminiscent of the Dickens of Bleak House, the Joyce of Ulysses, or the Nabokov of Lolita than anything in the earlier Chinese fiction tradition, has not yet received adequate recognition. This is partly because all of the existing European translations are either abridged or based on an inferior recension of the text. This translation and its annotation aim to faithfully represent and elucidate all the rhetorical features of the original in its most authentic form and thereby enable the Western reader to appreciate this Chinese masterpiece at its true worth.
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    The Plum in the Golden Vase: Volume Two: The Rivals, 2002-05-07 Comment: Unlike most classic Chinese literature,the Chin P'ing Mei breaths with surprisingly real characters with timeless motives: love, hate, fear, ambition, sex... If the soap opera existed when the book was written, The Plum in the Golden Vase would have had a following equal to Dallas. Not only are the book's characters sympathetic and fully developed, one actually cares about and identifies with them. Roy's translation reads more like a modern novel than a beloved Asian classic. Unlike earlier translations which sought to spare the reader some of the randier details of upper class private life, Roy presents all the particulars in a matter-of-fact manner that even today has the power to astonish the modern reader with it's open celebration of decandance. A great deal of the intended social commentary concerning the moral and spritual corruption of the time period will be apparent only to Asian historians and scholars; however, as with all great works, it may be read and enjoyed on many levels. To non-Chinese readers, keeping track of the multitude of unfamiliar names can be a problem, but there is a complete index of names included in the book but, although irksome at times, it is possible to keep track of everyone, even the servants,in this sprawling, epic work. I can't think of a better introduction to Chinese culture and history than the Chin P'ing Mei. Here's hoping the publication of Volume Three is not long in the making.
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