| |
see larger picture
|
|
Author:
Margarita Winkel
By Hotei Publishing
Average Customer Rating: 
List Price: $101.00
Our Price: $72.90
|
|
|
|
Binding: Hardcover
Dewey Decimal Number: 760.0442809520903
EAN: 9789074822664
ISBN: 9074822665
Label: Hotei Publishing
Manufacturer: Hotei Publishing
Number Of Items: 1
Number Of Pages: 256
Publication Date: 2005-03
Publisher: Hotei Publishing
Studio: Hotei Publishing |
|
|
|
Product Description
This is the first comprehensive study on Japanese erotic print art (known as "shunga"). It illustrates a wide selection of the best works from mainly private collections in Europe and the USA. The publication shows highlights from the oeuvre of Kitagawa Utamaro, Katsushika Hokusai, Suzuki Harunobu, Utagawa Kunisada, Utagawa Kuniyoshi and many others. The book outlines the artistic developments from the early period to the end of the 19th century when Western themes began to appear in Japanese erotic art. Various essays by international experts describe this fascinating genre, placing it in its social, historical and artistic contexts, and discussing themes such as homosexuality, voyeurism, life in Edo’s brothels, and techniques of composition.
|
|
The best collectionI've seen, 2005-06-05
Comment: It's a wonderful collection for a variety of reasons: the beautiful reproduction, the many poses and practices it shows, the many artists and styles, the scholarly but interesting commentary, and attention to a print-lover's details.
The depictions cover the whole range of possible couplings, plus a number of impossible ones. Most of the pictures focus on coupling of one man and one woman, but men together, women singly or together, multiples of each, and even mythical beasts appear in various samples. At least a few pictures show use of toys, genital kisses and caresses, and even cleanup tissues - a little touch that lends familiarity to this unfamiliar culture. Another point appealed to me as well, that all or nearly all scenes show happy, consenting partners.
The historical notes are what such notes should be. They explain the unfamiliar or point out details, without belaboring the obvious. Descriptions of the prints themselves could have been a bit better, especially regarding foxing, fading, and other signs of age. I was glad to see the damaged images, though. It gives viewers a more realistic idea of what to expect when the see prints in galleries or stores, and I'd rather see the image damaged that never see it at all.
In terms of printing and image-making techniques, this book spans a very wide range. The collection is dominated by 17-19th century woodcuts, in the familiar colored style or simple linear images. The authors have also included some of the cartoons that would have been used to guide the artisan cutting the blocks, as well as pencil drawings made for their own sake. There are a few clever fold-outs, including one where, upon lifting the tablecloth on the print, we see lovers playing footsie under the table. Another series (cat. 87) shows a lovely set of prints in a style new to me, one that imitates traditional ink drawings. Others (cat. 84) use "blind impressions" to emboss patterns into the print. Careful photography shows how the indentations enhance the patterns of the fabric, or (in a second print) describe the modeling of the figures and their musculature. In a few cases, the authors show multiple impressions of a given image, to show how instances of the "same" image may differ.
If you have just one book of Edo-era erotica, make it this one. It's beautiful, broad, and informative in many ways. Best of all, it gives a very happy impression of the players and their play.
//wiredweird
|
