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That the most famous garage-rock record of all time, the Kingsmen's "Louie Louie," is buried on the last CD of this four-disc box is very much in keeping with the spirit of the (often) one-hit wonders that people Nuggets. Here, "Louie Louie" is just another great song. An elaboration on the 1972 double LP, which is included in its original sequence, this set piles on dozens more great moments of inspiration, guts, chutzpah, and sometimes sheer commercial calculation. How else to explain the advice "Look at yourself" from the likes of the Strawberry Alarm Clock, whose idea of mind expansion seems limited to putting together two very vaguely related nouns--"Incense and Peppermints"--so their swinging Farfisa-led track will have something, anything, for verbal content? There's loads of such wisdom on display here, prefab and otherwise, usually delivered as rabidly as possible. (Try the Remains' "Don't Look Back," Mouse and the Traps' "Maid of Sugar--Maid of Spice," or the Music Machine's "Talk Talk," which was actually a hit.) And remember: "The sky is falling / The ocean is calling / The world ... is spinning 'round ... and 'round." For sure. --Rickey Wright
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This four-disc album--like the famed August 1969 rock festival it chronicles--is something of a sprawling, disorderly, engaging mess. Issued as a box set 25 years after the counterculture tribal gathering, it amasses the original three-record Woodstock set from 1970, its two-LP 1971 sequel, Woodstock II, and a generous store of previously unreleased tracks from Creedence Clearwater Revival, Janis Joplin, the Band, Jimi Hendrix, and others. There's plenty of chaff to go with the wheat (one is tempted to conclude John ("Far out!") Sabastian's blissed-out rant hasn't aged well, but it's just as likely most of the crowd at Yasgur's Farm would have gagged him if given half a chance, and Jefferson Airplane and Crosby, Stills & Nash clearly had better days). But Sly & the Family Stone, Joe Cocker, Santana, and Richie Havens shine, the stage patter has become part of the lexicon, and the whole package now stands as a remarkable account of a pivotal musical and cultural event. --Steven Stolder
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Tellingly, director Richard Linklatter's Dazed and Confused was released 20 years after American Grafitti and offers a similar story of troubled young personalities lurking beneath an oversaturated pop culture veneer. Like Lucas before him, Linklatter clearly relishes that gloss and wields it like an ironic chainsaw. His soundtrack is a raucous, authentic collection of mid-70's radio fare, be it sharp-edged pop (Sweet, the vastly underrated Rick Derringer), nascent metal (Black Sabbath, Deep Purple) and out-and-out hard cheese (Foghat, Black Oak Arkansas). Dazed and Confused is the real sound of 70's teenage America. --Jerry McCulley
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In addition to raising public consciousness about the dangers of nuclear power, the 1979 series of star-studded anti-nuclear concerts at Madison Square Garden were a significant event both musically and historically. The shows were immortalized in a feature film and on this 2 CD set. Among those featured on the album are such '70s soft-rock icons as Jackson Browne, Bonnie Raitt, James Taylor, Carly Simon, the Doobie Brothers, and Crosby, Stills and Nash, along with Bruce Springsteen, Tom Petty, Ry Cooder, and Gil Scott-Heron for a token dose of grit. Inevitably, Springsteen's "Devil with the Blue Dress Medley" steals the show, but otherwise No Nukes doubles as both a handy '70s-rock sampler and a historical keepsake. --Scott Schinder
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