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Artist:
Chanticleer
Christmas is the season for whipping out those holiday-specific standard recordings. This splendid gift by Chanticleer should top the list, for one will never tire of this a cappella choir's interpretations. With selections spanning the last five centuries of Latin, German, English, Spanish, and French festive fare, this recording exemplifies the sacrifice of the ego to the higher form of choral sound. Jacob Handl's "Mirabile Mysterium" takes you on a trip into the chromatic wonderlands, where you temporarily lose tonal balance. Victoria's eerie and dissonant "O Magnum Mysterium" treats us to rich voices swelling out of one organic whole. The phenomenal blend and perfect intonation elevate this recording above others in its category. --Barbara Eisner Bayer
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Artist:
George Frideric Handel
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Eugene Ormandy
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The Philadelphia Orchestra
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Eileen Farrell
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Martha Lipton
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Davis Cunningham
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William Warfield
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Mormon Tabernacle Choir
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This CD is a compilation of (mainly) devotional music sung by Pavarotti when he was in or near his prime, most going back, gloriously, to 1976. Precisely what Orfeo's lament (from the Gluck opera) is doing in a recital called "O Holy Night" is beyond me, but the rest of the selections are well chosen. The title song is gorgeously enough performed to be worth the album's asking price, the tenor's voice ringing out with great clarity and beauty, and the selection from Rossini's Stabat Mater is even more thrilling, with its ascent to high D flat near its close. Verdi's "Ingemisco," from his Requiem, is handsomely and sensitively delivered, and the others elections, with or without choir, are simply stunning. A CD for Christmas and the rest of the year as well. --Robert Levine
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Artist:
Robert Shaw Chorale
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Magic was created one starlit night in July 1990, when Luciano Pavarotti, Placido Domingo and José Carreras met onstage at the Baths of Caracalla in Rome and became the Three Tenors. They eschewed competitive instincts and cooperated in the spirit of mutual admiration to create one of the greatest musical events ever. This concert is an awe-inspiring orgy of the greatest hits for the tenor voice. Domingo and Pavarotti sing perfectly. The audience wins as these vocal supermen compete to seduce the hearts of the audience. One moment Domingo brings thrilling fire and pain to "E lucevan le stelle" from Tosca; the next, Pavarotti rises to heavenly heights in an inspired rendition of "Nessun dorma" from Turandot. Carreras is the competent little brother, one step behind the greatness of the big brothers from opera's Ponderosa. His singing isn't as captivating as that of the big boys; but his enthusiasm and passion are unrivaled. Mehta exquisitely captures the largeness of this bonanza through the grandiose orchestra. --Barbara Eisner Bayer
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Artist:
Handel
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London Philharmonic Choir and Orchestra
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Alldis
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Artist:
Andrea Bocelli
From his childhood on the family farm in rural Tuscany to the worldwide stage, Andrea Bocelli has achieved phenomenal success. His singing is only partially the point, and his fame owes much more to the aura of romance and the romantic archetype that's attached to him. Romanza is by far Bocelli's largest success, winning adoration thanks to the swooning vocals and the easy, sometimes lush, always pop-safe instrumental textures and melodies. As far as his opera chops go, Bocelli has won the approval of Pavarotti but likely will not wow enthusiasts. The upside is that Bocelli will likely grow the opera pie, convincing labels to take on more operatic projects. --Andrew Bartlett
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Anyone discovering this album who had never heard or heard of Luciano Pavarotti would immediately recognize greatness, a one-of-a-kind, one-per-generation (maybe) talent and personality that commands attention, respect, and yes, even love. These 35 selections are an astonishing achievement: Taken, for the most part from the tenor's prime--the 1970s and '80s (although there are four earlier and three from 2003)--what we hear is golden tone, impeccable diction, an innate sense of style and line and where the music should be going, absolutely natural phrasing, an evenness of production from C to (shining) C, and an ability to communicate warmth, passion, and the sheer love of music-making. The first CD is devoted to opera, with a dazzling "La donna e mobile," a smooth-as-silk "Una furtive lagrima," the famous aria from "La fille du regiment" with nine high Cs, "Nessun dorma" and many more. The second CD is mostly songs ("Torna a Surriento," "La danza," "O sole mio," etc.) sung with élan and flawless style, plus a couple of ghastly pop tunes (from 2003); to make up for them, we get a bonus--the three arias from Pavarotti's first EP from Decca, recorded in 1964--"E lucevan le stelle" a...
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