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Diana Krall Christmas Songs

Diana Krall Christmas Songs

Artist: Diana Krall , Clayton-Hamilton Jazz Orchestra
As the song goes, "Merry Christmas" has already "been said many times, many ways." Diana Krall's Christmas Songs is a worthy--though not particularly unique--addition to the holiday catalog. On it, she excels with an approach mastered long ago: elegant delivery that gives extra polish to a very familiar lineup. Some might find her style frosty at times, but that will come as a relief to those who want their carolers to cut through some of the holiday treacle and create a festive, yet grown-up vibe. And Krall does show off her playful side with little, personal touches. In "Winter Wonderland" she promises to "frolic and play the Canadian way," which should draw smiles from her native land. (That'll mean toasting the holiday with Molson, eh?) Elsewhere, she ends "Jingle Bells" with the girlishly giddy statement, "I'm just crazy about horses." Well…can't argue with that. --Leah Weathersby
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White Christmas

White Christmas

Artist: Bing Crosby
Try to forget the fact that Bing Crosby probably never had to record another song in his life after he immortalized "White Christmas." If you can do that, you'll find plenty more to like in this crooning Christmas collection. There's the Romantic Bing, charming the tinsel right off the tree with "The Christmas Song," and that cure for cabin fever, "Let It Snow! Let It Snow! Let It Snow!" There's the Reverent Bing, solemnly singing "Adeste Fideles." And of course, there's Bing the Showman, belting out "Good King Wenceslas" with a bit of that ole vaudeville shine. But no matter what you're told, "White Christmas" will be the number one reason for sticking this one in your stocking. And who can blame you? It's as timeless now as it was way back when. --Steve Gdula
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Speak Low

Speak Low

Artist: Boz Scaggs
Speak Low his 17th. studio album; a follow-up to 2003's But Beautiful - "a sort of progressive, experimental effort ... along the lines of some of the ideas that Gil Evans explored" says Boz. Songs on the album include Chet Baker's "She Was Too Good To Be True," Johnny Mercer's "This Time the Dream's on Me," the often recorded "I Wish I Knew How It Would Feel to Be Free" and the Kurt Weill/Ogden Nash title track. "I'm a vocalist," Scaggs says. "I come more out of a blues/rhythm & blues background, but this is a different way of using my voice, and much more musically challenging and adventurous for me."
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Call Me Irresponsible

Call Me Irresponsible

Artist: Michael Bublé
Melding the contemporary and the classic in ways only he can, Michael Buble has created his most complete studio effort yet. Ranging from "I've Got The World On a String" to "Me and Mrs. Jones," in addition to two new songs co-written by Michael, Call Me Irresponsible makes this album irresistible.
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Kind of Blue

Kind of Blue

Artist: Miles Davis
This is the one jazz record owned by people who don't listen to jazz, and with good reason. The band itself is extraordinary (proof of Miles Davis's masterful casting skills, if not of God's existence), listing John Coltrane and Julian "Cannonball" Adderley on saxophones, Bill Evans (or, on "Freddie Freeloader," Wynton Kelly) on piano, and the crack rhythm unit of Paul Chambers on bass and Jimmy Cobb on drums. Coltrane's astringency on tenor is counterpoised to Adderley's funky self on alto, with Davis moderating between them as Bill Evans conjures up a still lake of sound on which they walk. Meanwhile, the rhythm partnership of Cobb and Chambers is prepared to click off time until eternity. It was the key recording of what became modal jazz, a music free of the fixed harmonies and forms of pop songs. In Davis's men's hands it was a weightless music, but one that refused to fade into the background. In retrospect every note seems perfect, and each piece moves inexorably towards its destiny. --John Szwed
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Two Men With The Blues

Two Men With The Blues

Artist: Willie Nelson/Wynton Marsalis
The event was simply billed as "Willie Nelson Sings the Blues," but the historic two-night stand on January 12 and 13, 2007 at Jazz at Lincoln Center was far more than that. Call it a summit meeting between two American icons, Willie Nelson & Wynton Marsalis, two of the most significant figures in modern-day country and jazz, who discovered common ground in their love for jazz standards and the blues. Their performance stirred the sounds of New Orleans, Nashville, Austin and New York City into a brilliantly programmed mix that was equal parts down-home and cosmopolitan, with plenty of swing and just a touch of melancholy. To say that these shows were a hot ticket would be an understatement. Luckily, the tapes were rolling and the results of this unique collaboration now constitute the Blue Note album Two Men With The Blues for everyone who couldn't cram into The Allen Room. Featuring great playing from one of the hottest bands around these classic tracks are given new life by the extraordinary dual talents of Willie Nelson and Wynton Marsalis. At a time when most people are thinking of retirement, Willie has never been busier. His profile has been high in recent weeks with...
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What A Night! A Christmas Album

What A Night! A Christmas Album

Artist: Harry Connick Jr.
Holidays with Harry and his 2008 release, What A Night! A Christmas Album. Harry Connick, Jr. is an accomplished singer, pianist, and actor who emerged in the late 1980s as a Sinatra-style crooner for a new generation. As a musician, his influences include Bebop, New Orleans Jazz, and big-band swing. His score for the film When Harry Met Sally brought him national acclaim and an Oscar. He has appeared in many films and he is known for his Pop music as well.
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It's Time

It's Time

Artist: Michael Bublé
Michael Bublé's assured debut and the tireless year of globe-trotting touring he spent promoting it elevated the 20-something Vancouver native into the first rank of pop crooner revivalists. His sophomore studio follow-up largely turns on the same formula that helped make his considerable vocal prowess so attractive to mainstream audiences, mixing the nigh flawless, if expected Sinatra-channeling ("I've Got You Under My Skin") with more playful and inviting renditions of pop standards like the Gershwin's "A Foggy Day in London Town," "Feeling Good," "Try A Little Tenderness" and Cole Porter's "I've Got You Under My Skin." But it's the eclectic mix of more contemporary material the singer seasons them with -- apt tribute to Bublé hero Bobby Darin -- that keeps him walking the narrow tightrope between artistic intrigue (a blues-tinged vamp of Holland-Dozier-Holland's "How Sweet It Is," Leon Russell's lovely "Song For You," with a guest turn by Chris Botti) and the kitsch-laden abyss ("Quando, Quando, Quando"'s Euro-centric duet with Nelly Furtado, a ring-a-ding-fling with the Beatles' "Can't Buy Me Love" that echoes fellow Canadian crooner/rival Matt Dusk's more successful flirtati...
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A Charlie Brown Christmas: The Original Sound Track Recording Of The CBS Television Special

A Charlie Brown Christmas: The Original Sound Track Recording Of The CBS Television Special

Artist: Vince Guaraldi Trio
Original soundtrack recording of the CBS television special recorded in 1965, tracks include 'O Tannenbaum', 'What Child Is This', 'My Little Drum', 'Linus and Lucy', 'Christmas Time Is Here' (instrumental), 'Christmas Time Is Here' (vocal), 'Skating', 'Hark, The Herald Angels Sing', 'Christmas Is Coming', 'Fur Elise', 'The Christmas Song' & 'Greensleeves'. Fantasy Records. 1988.
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Jingle All the Way

Jingle All the Way

Artist: Bela Fleck & Flecktones
Béla Fleck, often considered the premiere banjo player in the world, has made a name for himself as a virtuoso instrumentalist unbounded by genre. His band The Flecktones - Victor Wooten on electric bass, Jeff Coffin on sax and flute, and Future Man on percussion - are equally talented and adventurous as Fleck himself, and together they have made a string of critically acclaimed albums that combine bluegrass, jazz, funk and world music with technical prowess, unlimited imagination and occasional zaniness. Their new holiday CD Jingle All the Way is all of that, with bells on - Christmas music as it's never been heard it before, with unique tonal textures (banjo, Tuvan throat singing, klezmer mandolin), hot solos and tight ensemble arrangements that make every measure new. Jingle All the Way is the perfect stocking stuffer for those who like their Christmas music fun and challenging at the same time.
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