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Artist:
The Beatles
The Beatles' last days as a band were as productive as any major pop phenomenon that was about to split. After recording the ragged-but-right Let It Be, the group held on for this ambitious effort, an album that was to become their best-selling. Though all four contribute to the first side's writing, John Lennon's hard-rocking, "Come Together" and "I Want You (She's So Heavy)" make the strongest impression. A series of song fragments edited together in suite form dominates side two; its portentous, touching, official close ("Golden Slumbers"/"Carry That Weight"/"The End") is nicely undercut, in typical Beatles fashion, by Paul McCartney's cheeky "Her Majesty," which follows. --Rickey Wright
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Artist:
Michael Buble
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Artist:
The Beatles
No Description Available No Track Information Available Media Type: CD Artist: BEATLES Title: BEATLES 1 Street Release Date: 11/14/2000 Domestic Genre: ROCK/POP
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Artist:
The Beatles
One of the most famous and influential albums ever recorded, Sgt. Pepper's Lonely Hearts Club Band had a huge impact on the music world, signaling the beginning of a new era of sophistication and maturity in rock. The musical experimentation was dynamic and fresh, several tracks were edited to create seamless transitions, and even the visual design was more elaborate than anything previously attempted. Producer George Martin and The Beatles searched for new sounds and studio effects. They added crowd sounds and animal cries from sound-effects recordings, sped up Paul McCartney's vocals in "When I'm Sixty-Four" (to make him sound younger), and sustained a single piano chord for 40 seconds to end "A Day In The Life." The orchestrations, scored by Martin, were hailed by critics as bridging the gap between pop and classical music, and many people who had never bought a rock record bought Sgt. Pepper's. EMI. 2005.
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Artist:
Roy Orbison
Here is, bar none, the most all-inclusive anthology ever assembled to honor the greatest singer ever considered to be a "Rock and Roll artist." But Roy Kelton Orbison was so much more: behind his ever-present sunglasses and beneath his shock of raven-black hair, clad in black, he was rock's Mystery Man, the possessor of the most glorious voice ever to soar on such signature songs as "Only The Lonely," "In Dreams," "Running Scared," "Crying" and "Oh, Pretty Woman," to cite a mere handful of his Top Ten hits. As Orbison's widow, Barbara, who is also this collection's Executive Producer, points out in her loving annotation contained in this four-CD package: "For the first time, you will have a chance to hear Roy's first recording to the last time he ever sang--Dec. 4, 1988, in Akron, Ohio. Roy recorded for several different labels [including 15 covered in this 107-song collection] and toured the world many, many times--we have numerous unreleased masters [specifically, 12 in this package] and live performances included in this box set to make it truly special."
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Artist:
Bing Crosby
Try to forget the fact that Bing Crosby probably never had to record another song in his life after he immortalized "White Christmas." If you can do that, you'll find plenty more to like in this crooning Christmas collection. There's the Romantic Bing, charming the tinsel right off the tree with "The Christmas Song," and that cure for cabin fever, "Let It Snow! Let It Snow! Let It Snow!" There's the Reverent Bing, solemnly singing "Adeste Fideles." And of course, there's Bing the Showman, belting out "Good King Wenceslas" with a bit of that ole vaudeville shine. But no matter what you're told, "White Christmas" will be the number one reason for sticking this one in your stocking. And who can blame you? It's as timeless now as it was way back when. --Steve Gdula
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Artist:
Harry Connick Jr.
Holidays with Harry and his 2008 release, What A Night! A Christmas Album. Harry Connick, Jr. is an accomplished singer, pianist, and actor who emerged in the late 1980s as a Sinatra-style crooner for a new generation. As a musician, his influences include Bebop, New Orleans Jazz, and big-band swing. His score for the film When Harry Met Sally brought him national acclaim and an Oscar. He has appeared in many films and he is known for his Pop music as well.
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Artist:
Michael Bublé
Melding the contemporary and the classic in ways only he can, Michael Buble has created his most complete studio effort yet. Ranging from "I've Got The World On a String" to "Me and Mrs. Jones," in addition to two new songs co-written by Michael, Call Me Irresponsible makes this album irresistible.
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Artist:
Michael Bublé
Michael Bublé's assured debut and the tireless year of globe-trotting touring he spent promoting it elevated the 20-something Vancouver native into the first rank of pop crooner revivalists. His sophomore studio follow-up largely turns on the same formula that helped make his considerable vocal prowess so attractive to mainstream audiences, mixing the nigh flawless, if expected Sinatra-channeling ("I've Got You Under My Skin") with more playful and inviting renditions of pop standards like the Gershwin's "A Foggy Day in London Town," "Feeling Good," "Try A Little Tenderness" and Cole Porter's "I've Got You Under My Skin." But it's the eclectic mix of more contemporary material the singer seasons them with -- apt tribute to Bublé hero Bobby Darin -- that keeps him walking the narrow tightrope between artistic intrigue (a blues-tinged vamp of Holland-Dozier-Holland's "How Sweet It Is," Leon Russell's lovely "Song For You," with a guest turn by Chris Botti) and the kitsch-laden abyss ("Quando, Quando, Quando"'s Euro-centric duet with Nelly Furtado, a ring-a-ding-fling with the Beatles' "Can't Buy Me Love" that echoes fellow Canadian crooner/rival Matt Dusk's more successful flirtati...
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Artist:
The Beatles
Better known as the "White Album," this was meant to be the record that brought them back to earth after three years of studio experimentation. Instead, it took them all over the place, continuing to burst the envelope of pop music. Lennon and McCartney were still at the height of their powers, with Lennon in particular growing into one of rock's towering figures. But even McCartney could still rock, and the amazement on "Helter Skelter" was that he had vocal cords at the end. From Beach Boys knock-offs to reggae and to the unknown ("Revolution #9"), this has it all. Some records have legend written all over them; this is one. --Chris Nickson
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