Divas

Puccini - La Rondine / Gheorghiu · Alagna · Matteuzzi · Mula · Rinaldi · Ciofi · Bacelli · LSO · Pappano

This is one of the problem operas of Puccini's maturity, something he began writing while under the spell of Lehar's The Merry Widow that never quite came together as a piece of theater. But the score contains some of Puccini's most congenial music and attractive scoring. An alert, resourceful new presence on the opera scene, conductor Antonio Pappano is just the one to make the best possible attempt at holding it together. Stars Angela Gheorghiu and Roberto Alagna show you why the opera world was so excited about them before they started cancelling: She has a dusky voice and quivering vulnerability; he has virility and taste. --David Patrick Stearns

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Handel: Messiah (Complete Oratorio); Battle, Quivar, Aler, Ramey, Davis

Artist: George Frideric Handel , Andrew Davis , Kathleen Battle , Florence Quivar , John Aler , Samuel Ramey , Toronto Symphony Orchestra & Toronto Mendelssohn Choir
There are two English Davises, both conductors: Colin and Andrew--no relation. Colin recorded a landmark Messiah which is still available on Philips at budget price. This one is another matter entirely. Andrew Davis certainly knows this music, and he hits the big moments with gusto. But Messiah is more than big moments, and despite an excellent cast of soloists, there's too little involvement with the music (especially from Kathleen Battle) in the arias and more intimate moments to make this a clear recommendation. It's not bad, but the competition is just that much better. --David Hurwitz

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Puccini - La Bohème / Freni, Pavarotti, Harwood, Ghiaurov, Karajan

Artist: Giacomo Puccini , Mirella Freni , Luciano Pavarotti , Berlin Philharmonic Orchestra , Herbert von Karajan , Elizabeth Harwood , Rolando Panerai , Nicolai Ghiaurov
The score for La Bohème comes to glowing life under Herbert von Karajan's baton, and Mirella Freni and Luciano Pavarotti make beautiful music together as the ill-fated lovers. The smaller parts are wonderfully sung, the comedy sharply profiled, and the pathos contained in such a way that the opera's ending proves remarkably gripping. London's sound is excellent. --Ted Libbey

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A Christmas Celebration: Kathleen Battle

Artist: Kathleen Battle , traditional/various , Leonard Slatkin , Orchestra of St. Luke's with New York Choral Artists & Harlem Boys' Choir

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A Carnegie Hall Christmas Concert

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UltraSound - Music for the Unborn Child

While many hospitals across the country send new mums and babes home equipped with discs of classical music to soothe and gently stimulate babies' tender minds, Ultrasound brings together a delightfully well-rounded set specifically chosen for those still in the womb. Expectant moms will appreciate the effects of the mellow strains of Bach's Suite No. 3, the delicate playfulness of Tchaikovsky's "Dance of the Sugar-Plum Fairy," and Mozart's proven-to-make-you-smart Sonata for Two Pianos featuring André Previn. Debussy's "Clair de lune" is especially lovely as conducted and fluted by James Galway, and Leontyne Price is a warm blanket of comfort giving voice to Schubert's "Ave Maria." Indeed, these songs are aural balm to both parent and child long after birth. --Paige La Grone

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The Most Famous Opera Duets

This is a misnomer--not all of these duets are all that famous--but it's a fine compilation nonetheless. You'll hear selections from Bizet's The Pearl Fishers (Nicolai Gedda and Ernest Blanc at their most elegant French), Madama Butterfly (Carlo Bergonzi and Renata Scotto--an impassioned pair), Lucia di Lammermoor (a classy Alfredo Kraus and Edita Gruberova), the lovely Lakme duet, The Presentation of the Silver Rose from Der Rosenkavalier (with the earnest Christa Ludwig and the other-worldly Teresa Stich-Randall), and a fine Trovatore "Miserere" (with Leontyne Price and Franco Bonisolli singing up a storm). There are many others, too--a veritable cornucopia of couplings--and a treat for the opera lover. --Robert Levine

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Henryk Gorecki: Symphony 3 "Sorrowful Songs"

This album, which catapulted Polish composer Henryk Gorecki to into the international spotlight, takes texts born in pain and turns them into statements of affirmation through the use of music that ebbs and flows in mystic minimalism. The clear voice of soprano Dawn Upshaw, singing the Polish texts, is a large part of the success of this particular recording, but the music, contemporary without either dissonance or movie-music mawkishness, clarifies and uplifts the words. This is a moving and essential element of the modern repertoire. --Sarah Bryan Miller

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The Most Relaxing Classical Album in the World...Ever!

Artist: Johann Sebastian Bach , Léo Delibes , Gabriel Fauré , Erik Satie , Wolfgang Amadeus Mozart , Edvard Grieg , Johann Pachelbel , Claude Debussy , Felix Mendelssohn , Camille Saint-Saens , Henryk Gorecki , Antonio Vivaldi , Edward Elgar , Jocelyn Pook , Sergey Rachmaninov , Tomaso Giovanni Albinoni , Luigi Boccherini , Jules Massenet , Ludwig van Beethoven , Jacques Offenbach , Pietro Mascagni , Antonin Dvorak , Giacomo Puccini , Ralph Vaughan Williams , Alexander Borodin , Joaquin Rodrigo , Samuel Barber
You want relaxing classical music that'll soothe your soul but won't lull you into sleep? Here's a double CD for you. The Most Relaxing Classical Album in the World ... Ever! does its best to cover both well-worn classical favorites (Bach's "Air on the G String," Pachelbel's "Cannon," Debussy's "Clair de Lune") and some eclectic left-field choices (an excerpt from Górecki's Symphony No. 3, Jocelyn Pook's "Blow the Wind," and Samuel Barber's Adagio for Strings. The performances of most of these excerpts are top-notch--artists include Sir Neville Marriner, James Galway, Jacqueline du Pré and the Philadelphia Orchestra--and there's enough variety here for everyone. --Edward Garabedian